Paper Constructions Confine Skeletons to Uncanny Spaces in Jason Limon’s Paintings

GRACE EBERT

“Cramped” (2022), acrylic on panel, 12 x 16 inches. All images © Jason Limon, shared with permission

San Antonio-based artist Jason Limon (previously) conjures paper sculptures of 18th Century-style gowns, organs, and hollowed skulls with acrylic paint. The uncanny structures trap his recurring skeletal characters in cramped boxes and funhouse-esque constructions, where they attempt to disentangle themselves from their surroundings. Rendered in muted pigments, or what the artist calls “repressed tones,” the paintings utilize the anonymity and ubiquity of the bony figures to invoke emotional narratives. Limon explains:

Paper allows us to know the stories of the past, and I’ve always been drawn to that notion… I use paper to build the shapes to tell my thoughts. In most instances, I will use box-like or folded paper shapes, but more recently I want to explore the insides of these containers to see what complexities I might find.

The pieces shown here are part of Limon’s ongoing Fragments series and are part of Stripped Down on view through June 5 at Haven Gallery in Long Island. Limon also has another solo show slated for November at San Antonio’s BLK WHT GRY, and until then, you can browse originals and prints in his shop and follow his works on Instagram.

“Look at Me” (2022), acrylic on panel, 12 x 16 inches

“Bisected” (2022), acrylic on panel, 12 x 16 inches

Left: “Feel” (2022), acrylic on panel, 12 x 16 inches. Right: “Perplexed” (2022), acrylic on panel, 12 x 16 inches

“Elegance” (2022), acrylic on panel, 12 x 16 inches

“Outlines” (2022), acrylic on panel, 12 x 16 inches

Left: “Inside Out” (2022), acrylic on panel, 12 x 16 inches. Right: “Unseen” (2022), acrylic on panel, 12 x 16 inches

“Stripped Down” (2022), acrylic on panel, 12 x 16 inches

 

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